YouTube Unveils 'Screening Room' For Free Indie Movies

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timeisup.jpgYouTube (GOOG) added some new details Wednesday night on its plan to make indie film and other long-form video part of the menu. Namely, a dedicated area within YouTube called "The Screening Room" that will host indie film, and offer tools to help producers build an audience and generate revenue.

YouTube will add four new indie films every two weeks--including some that have appeared in film festivals and others that have never been seen before.

Details on how YouTube plans to make money, or allow famously cash-strapped indie producers to make money, are thin. A press release said "The Screening Room" will include a "Buy Now" button allowing filmmakers to link to Web sites that sell DVDs and digital downloads of their films, as well as what it calls a "high quality" player to watch on the Web.

It's an interesting idea and we'll be curious to find out if advertising is playing any part in YouTube's plan for '"The Screening Room." We're also interested to hear more about what's in it for the filmmakers. Some of these films are pretty good and have significant festival-circuit credentials. The end game is probably a studio distribution deal because the revenue potential of YouTube has proven for most producers to be limited.

Among the first films included are:

  • 2006 Academy Award nominee, "Our Time Is Up," written and directed by Rob Pearlstein, starring Kevin Pollak. An excerpt of the film, about a therapist who learns he has six weeks to live, below:


The other scheduled films and the press release (with Moby quote), below:

THE YOUTUBE SCREENING ROOM DEBUTS, BRINGING DISTINCTIVE AND ENTERTAINING FILMS TO A MASSIVE GLOBAL AUDIENCE

YouTube Expands Business Opportunities for Filmmakers to Distribute Works; Four High-Quality Films Screened Every Other Friday

LOS ANGELES, CA (LAUNCH EVENT - HENRY FONDA'S MUSIC BOX) - June 18, 2008 -YouTubeTM today announced The YouTube Screening Room for filmmakers around the world to distribute their work, build an audience, and generate revenue. This dedicated area on YouTube will showcase an international selection of films. The YouTube Screening Room (www.youtube.com/ytscreeningroom) will feature four new high-quality short films every two weeks, as well as feature-length films on a case-by-case basis, creating new business opportunities for filmmakers and bringing informative, timely and entertaining films to the YouTube community around the world.

In its first month of programming, The YouTube Screening Room will include short films from Norway, Sweden, Canada, the UK and the US, featuring well-known actors and award-winning filmmakers alongside undiscovered talent. Over the next few months, films from Germany, Austria, France, Kenya, Australia, Ireland and the UK will be screened.

"Having produced over 25 short films and having watched hundreds, if not thousands, I know that The YouTube Screening Room will be a great forum for watching shorts and discussing them. It is a very fair and democratic way of allowing people all over the globe to watch films, rate them, and have the opportunity to speak about their feelings. I love watching films in theaters, but I now find myself watching more shorts on YouTube," said Daniel Dubiecki, a producer of Juno, as well as the short film The Big Empty, which will debut in the program on July 4th. "I'm really looking forward to seeing the community's feedback on our film."

The YouTube Screening Room will showcase a wide range of films: some that have never before been screened in front of a wide audience and others that may have appeared in film festivals around the world. In the coming months, all filmmakers will have the opportunity to submit their work for consideration through an online submission process.

People will be able to communicate directly with filmmakers to share thoughts, exchange opinions with fans, and provide honest feedback using YouTube's features to comment, rate, and share films. The YouTube Screening Room will also include a "Buy Now" button, allowing filmmakers to link to websites selling DVDs and digital downloads of their films, as well as a High Quality player, which offers users the best viewing experience possible.

"One of the fantastic things about the digital present is that means of production are so much more egalitarian than in the past," said Moby, whose MobyGratis program allows filmmakers to use his music in their films for free. "The YouTube Screening Room is about empowering filmmakers and helping them get their work seen. What drives good artists, both filmmakers and musicians, is to create something they love and have other people experience it."

"YouTube is a natural place for filmmakers and audiences to connect. The YouTube Screening Room will serve as a focused destination for people to discover new talent while being entertained and informed through film," said Sara Pollack, film manager for YouTube. "We are excited to offer filmmakers around the world a new distribution opportunity and to encourage more conversation within our community around film."

About the Films
In the first month of programming, The YouTube Screening Room will feature a diverse collection of films, including:

2006 Academy Award nominee, Our Time Is Up, written and directed by Rob Pearlstein, starring Kevin Pollak

2007 Academy Award winner, The Danish Poet, written and directed by Torill Kove and presented by The National Film Board of Canada

Are You The Favorite Person Of Anybody?, directed by Miguel Arteta, written by Miranda July, starring John C. Reilly, Mike White and Miranda July, presented by Wholphin

2007 Los Angeles Film Festival winner, Love and War, written and directed by Fredrik Emilson and produced by Tomas Michaelsson

2006 Tribeca Film Festival winner, The Shovel, written and directed by Nick Childs, starring David Strathairn

2005 USA Film Festival winner, The Big Empty, adapted and directed by J. Lisa Chang and Newton Thomas Sigel, produced by Daniel Dubiecki and Jason Blumenfeld, starring Selma Blair, presented by Wholphin

2008 Academy Award nominee, I Met The Walrus, written and directed by John Raskin, produced by Jerry Levitan

2007 WorldFest Houston winner, The Clap, written and directed by Geoff Lindsey, presented by Future Shorts

See Also:
YouTube Shifts Strategy, Tries Long-Form Video
Will Indie Movies Crush YouTube? No.
Study: Videos Live Fast, Die Young On Web
Why ISPs Want To Charge Bandwidth Hogs More Now: Web Video Traffic About To Explode



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16 Comments

steveking said:
YouTubeRobot.com today announces YouTube Robot 2.0, a tool that enables you to download video from YouTube.com onto your PC, convert it to various formats to watch it when you are on the road on mobile devices like mobile phone, iPod, iPhone, Pocket PC, PSP, or Zune.

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buiy said:
best be in HD to attract me

Mango said:
Hmm... I don't like the smell of this press release. YouTube was designed "for the people," but when you first launch films aren't unknown directors, but Oscar nominated producers with known actors...That sounds like they are just trying to build a business on the back of the popularity the crowd gave to the site. This could be a really cool thing IF it was more focused on unknown, non-insider filmmakers. Attaching celebrities to this will generate some press interest, but it hints that YouTube is rolling out the hated velvet rope.

Honestly, why just a screening room? Youtube.com has the traffic, the users and in essence the power...so why not open up a whole section for Indie films, shorts, longs and so on,[and I mean anyone can produce new Indie shows, not just well know indie films, it would be more of a pro Directors version] as some have been putting it Youtube.tv and put commercials in it if need be, no one minds the 15 second coms at hulu. [15 secs is perfect, short and sweet and your back, and it's a great strategy because most people actual watch the commercials instead of taking a smoke/potty break].

It becomes a win-win for Indie producers that want to gain popularity and sell merchandise, hell Youtube can even share 50% of the revenues.

Why limit to a few films?

Josh
CEO of Jigadig.com

OK said:
I agree. It could be a great move. But the only problem is as the film industry continues it's free-fall, things like You Tube, created for the "non industry" artist/filmaker , will become filled with "professional" product, similar to what has happened with film fests. There need to be venues for artist/filmakers who do not have the backing, etc. and still can have their work viewed. If You Tube becomes a so to speak, screening room, many people will lose that opportunity.



cinepix (URL) said:
It appears a major press release has been overlooked from February of 2008.



(June 19, 2008 – Hollywood, CA) Metropolis Pictures Entertainment, Inc. announces the first and only online global movie theatre, previously known as the Metropolis Global Theatre, has moved to Cinepix.com as the Cinepix Theatre.

The first and only international online movie theatre, Cinepix Theatre, was originally conceived by Francis Xavier, Chief Executive Officer, and Michael R. Kureth, Chief Operating Officer, of Metropolis Pictures Entertainment, Inc. in June of 2007 to offer independent filmmakers and major studios a new and free method of global exposure where they would be compensated for their films being seen around the world subtitled in the user’s language. The copyright for this creation was approved by the Library of Congress on November 7, 2007, and the patent for the invention was accepted by the United States Patent and Trademark Office in January of 2008. The theatre launched on February 18, 2008 featuring three short films and four of the five feature films produced by Metropolis Pictures Entertainment, Inc.

Short and feature film submissions have been open to both independent filmmakers and major studios at both standard definition (864x486) and high definition (1920x1080 or 1080x720) using H.264 compression (Blu-ray Disc quality) for playback in full screen mode. This service is available for free to filmmakers for two weeks where they are compensated for 50% of every view. The site and film shown is dynamically subtitled in the user’s language offering access to a global audience with supported languages including English, Spanish, French, German, Italian, Portuguese, Dutch, Swedish, Russian, Polish, Chinese, Japanese, and Korean. All films are given the highest level of protection using Adobe’s Flash Media Rights Management Server.

Starting in the theatre Monday, June 23, 2008, the prequel to the pilot episode of "The Ear of the Beholder," will be shown starring legendary Oscar nominated and Golden Globe Award winning actress Sally Kirkland and directed by Francis Xavier. The twelve minute film showcases one of the year’s best performances in a short film by a lead actress and will follow up with a pilot for cable television based on her character, Marlena Smith, an old fading, nymphomaniac film star who must deal with the competitive life of younger actresses, must pay for sex, and keep it a secret from family and friends.

Next week, June 30, 2008, “The Ear of the Beholder” will be available in the Cinepix Theatre in thirteen languages giving audiences around the world the only true global theatre experience.

Articles and Interviews from the February launch:
http://www.atomicpopcorn.net/2008/02/18/first-run-movies-in-your-home/
http://www.free-press-release.com/news/200802/1203702461.html
http://www.metpix.com/media/audio/2008-02-18-98_rock-original.mp3

Press Contact:
Metropolis Pictures Entertainment, Inc., P.O. Box 623, Hollywood, CA 91603
metpix.com | cinepix.com – info@cinepix.com

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dione (URL) said:
640-802 YouTube Unveils 'Screening Room' For Free Indie Movies Long time no see. What are you trying to pull!

danika (URL) said:
Good idea. Some people never learn. 640-802 / 220-601 / 642-415 / 642-453 / 70-620 / 70-293


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